weirdfishesblog:

architecten de vylder vinck taillieu, drawing on the building

Architecture is not only an issue of the building but it’s also about the attitude from the beginning. It’s about making present in drawings the element what architecture is about. Creating, organizing, and detailing space.

Our opinion is that it is a continuous process. We are now busy working on some projects where even at the end the drawings comes back in the building and on the building. Not as a mental thing but as a real thing. Drawing on the building.

…those drawings are quite in contrast with the nowadays way of making representations of buildings that will be build. The representation of today is very often an issue about rendering, an issue about reality. That is a very small definition about reality. Architectural representations must have a very broad range of realities. And yes, this kind of almost artistic drawings, they sometimes contain only one track of the reality. But all together they bring a reality on which we can decide things.

It’s not that we deny modern ways of drawing because we draw in Autocad, even our perspectives. This is really not the discussion. I like it that people have the feeling that they can go and look over your shoulder and see the process. Its so much easier with a client to explain him the thing he will understand instead of trying to oppose him with a concept. Thats the point. Its about communication. Communication towards yourself, towards everyone around you.

Jan de Vylder

Full interview here.

Screenshots taken from office website: architecten de Vylder Vinck Tallieu

vigilism:

Afternoon: Yusef Lateef’s version of Love Theme from Spartacus on repeat while I bang out another drawing. #art #architecture #drawing #pen #pencil #ink #design

adriancollage:

Polychrome Glitch

reckon73:

Installations by Michael Johansson

‘I am fascinated walking around flea markets finding doubles of seemingly unique, though often useless objects I have already purchased at another flea market. Despite the fact that I did not have any use for them even the first time, the desire to own two of these objects becomes too strong to resist. The unique and unknown origin of the object increases my desire to want the double – the unlikelihood of this sensation repeating itself produces an attraction that is too strong to resist.

This combination of the now-familiar and the new-unknown are among the various factors that come together to create the irresistible pull of these objects.  This re-iterated fascination and the overwhelming desire that follows is central to my art practice.

I am intrigued by irregularities in daily life. Not those that appear when something extraordinary occurs, but those that are created by an exaggerated form of regularity. Colours or patterns from two separate objects or environments concur, like when two people pass each other dressed in the exact same outfit. Or when you are switching channels on your TV and realize that the same actor is playing two different roles on two different channels at the same time. Or that one day the parking lot contained only red cars.

These irregularities, these coincidences, are another focus of my artwork.’


http://www.michaeljohansson.com

nickkahler:

Timm Ulrichs, Typotexture, 1962

collageoftheweek:

Twinset © Peter Campbell 2015

Society6

collageoftheweek:

Nigel Henderson and Eduardo Paolozzi, Untitled (Study for Parallel of Life and Art) 1952

weissesrauschen:

___SHRBRRPXD

drawingarchitecture:

Edvard Lindblom, House for Collectors, Prospect of Architectural interventions, 540mm x 850mm.

printx3:

Artist: Sigrid Calon
Title: Letters Become Patterns, 2014
Medium:  Risograph, Spiral Bound with Perspex Cover
Size: 6.5″ x 7″
Pages: 56
Edition: Open, 350 initially
Publisher: (Artist)
Printer: (Artist)
Printed In: Tilburg, The Netherlands

lessadjectivesmoreverbs:

Building Big Things - Marie Neurath, designed by Isotype